In 1955, as the Soviet Union's pervasive propaganda about the U.S. and American racism spread globally, Adam Clayton Powell, Jr. convinced President Eisenhower that jazz was the best way to intervene in the Cold War cultural conflict. For the next decade, Dizzy Gillespie, Louis Armstrong, Duke Ellington, Benny Goodman, and Dave Brubeck traveled the globe to perform as cultural ambassadors.
The Jazz Ambassadors The Cold War and Civil Rights movement collide in this remarkable story of music, diplomacy, and race. In 1955, as the Soviet Union's pervasive propaganda about the U.S. and American racism spread globally, African-American Congressman Adam Clayton Powell, Jr., convinced President Eisenhower that jazz was the best way to intervene in the Cold War cultural conflict. For the next decade, America's most influential jazz artists, including Dizzy Gillespie, Louis Armstrong, Duke Ellington, Benny Goodman, and Dave Brubeck, along with their racially-integrated bands, traveled the globe to perform as cultural ambassadors.
But the unrest back home forced them to face a painful moral dilemma: How could they promote the image of a tolerant America abroad when the country still practiced Jim Crow segregation and racial equality remained an unrealized dream? Told through striking archival film footage, photos, and radio clips, with iconic performances throughout, the documentary reveals how the U.S. State Department unwittingly gave the burgeoning Civil Rights movement a major voice on the world stage just when it needed one most.
Producer: Mick Csaky, Stephen Segaller, Julie Anderson, Robert Hughes, Sabine Bubeck-Paaz, Jan Younghusband
Production Company: Thirteen; Antelope South Limited
Production Year: 2018
Copyright Year: 2018
Narrator: Leslie Odom, Jr.
Number of Discs: 1
Length: 93 minutes
Subtitle Languages: English (SDH)
Language Track: English
Audio Format: Stereo
Aspect Ratio: 16x9 Widescreen
VIDEO USAGE RIGHTS
Why the AV version? Because it provides additional usage options for PBS videos. AV versions come with limited performance rights so they can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a building or on a single campus. They also can be enjoyed in admission-free public screenings, which also makes them ideal for use by library patrons and businesses involved in community clubs and organizations.